Architecture & Coronavirus: Nesting & Perching

These are very unusual times. As I edit this post, the vast majority of Americans are tucked away in their homes, trying desperately to avoid the coronavirus. As an architect, I am curious as to the impact that their dwelling places are having. Are we more aware of our surroundings? What kind of emotions are their spaces evoking? Are some spaces in high use while others remain abandoned? What are the reasons for this?

200405  Coronavirus US map.png
April 4, 2020 Impact of Coronavirus – credit: The Guardian

I think it can be safely said that different spaces elicit different emotions. The architect and academic Grant Hildebrand conducted extensive research on this topic.  He identified a handful of qualities that are evident in successful works of architecture. In my view the two most significant qualities he identified are prospect and refuge. Our desire for these qualities is embedded in our DNA and dates back to mankind’s beginnings. Hildebrand uses the noun tense of these words.  Prospect refers to an extended or expansive view.  As a counterpoint, Refuge refers to a small, intimate space.  Frank Lloyd Wright was aware of these qualities as well.  He referred to refuge as nesting and to prospect as perching.

A successful work of architecture will inevitably contain both of the qualities. The ideal ratio of one to the other is elusive. It varies depending on pragmatic parameters, such as the location of the building site, and individual characteristics, such as one’s gender and personality traits.  Generally women tend to favor more  nesting (refuge) while men tend to prefer more perching (prospect). Spaces within the work of architecture normally contain a balance of both qualities. Let’s explore how these qualities are used in the hands of a Master.

1939 Rosenbuam Plan
Rosenbaum Residence Floor Plan – credit 

Florence Alabama boasts the only Frank Lloyd designed house in the southeastern United States that is open to the public – the Rosenbaum House.  It is the second in his series of Usonian Houses (for the common man) and was completed in 1939.  I take my students on a pilgrimage to this house every year and have “experienced” it dozens of times.  It still impresses me!  The qualities of nesting and perching are used throughout, in a variety of ways and in various combinations.

Stanley Rosenbaum’s Study exemplifies the quality of nesting. The Study is right off of the Living Room.  It is is tucked (not buried) into the ground, giving it a feeling of separation.  The low ceiling and small size make the space feel cozy.  The wood walls and the small fireplace (out of view) add warmth to the mix.  The upholstered chair tucked into the corner surrounded by books provide creature comfort.  The desk provides a space for study and reflection.

Rosenbaum House
Stanley’s Study

Wright provided both interior and exterior spaces which allow for perching.  The rear of the house (which Wright called the front) unfolds to the exterior and directs the occupant’s view to the meadow and, before adjacent development, the Tennessee River beyond.  Full glass doors provide views from both the public and private areas.  Screen doors allow for breezes.  A small perch  is placed off the Master Bedroom where the Rosenbaums could stand outside, drink their morning coffee, and enjoy the view.

Rosenbaum House
Master Bedroom perch

The late architect Paul Rudolph once called the Rosenbaum’s Living Room “one of the most sublime spaces in American architecture.”  With a raised ceiling over clerestories, full glass doors, and concrete floors that extend to the exterior, this room is definitely a perching space.  Note that the Study, a nesting area, is only loosely separated from the Living Room.  No door here.  The floor pattern, light fixtures, and bookshelves link these two very different spaces.  An understanding of the link between psychology and architecture allows the skillful designer to create, differentiate, and link spaces, thereby creating successful works of architecture.

Roaenbaum Living Room
Living Room.   credit: Florence Dept of Arts & Museums

Next time we’ll take a look at the connection of man to nature, and the subsequent connection of nature to architecture.  It all begins……In the Beginning.

Architecture & Everything: Eventually Everything Connects

This, a dusted-off and updated version of my first ever blog post, was inspired by a quote from Charles Eames. Charles was a stand out mid-century designer who, in close collaboration with his wife Ray, changed the face of American culture.  He was credited with stating that “eventually everything connects“. This is something that the Eames’ firmly believed and practiced. He was trained as an architect and industrial designer, she as an artist and designer, and both as furniture makers and film producers.
“Eventually everything connects…”  Even as an architect, it has taken me many years to become enlightened to this truth. Through this blog we will further explore architecture and its connection… virtually everything.
Eames cards, each with six slots, can be connected in endless configurations.
Most people subscribe to a common definition of architecture, such as the result one gets when googling “definition of architecture”.

ar·chi·tec·ture/ˈärkiˌtekCHər/ – noun: The art or practice of designing and constructing buildings.

I would suggest that most of what pervades our physical environment is derived from the “practice of designing and constructing buildings”. We’ve become quite comfortable with concept. Architecture is the shell, what’s inside is interior design, and what’s outside is landscape architecture. By logical extension, the architect’s role is to deal with the shell, the interior designer’s role is to deal with whatever is inside and the landscape architect’s role is to deal with whatever is outside. With this distinction between the roles, the outcome is usually less than desirable, as exeplified by the buildings lining our thoroughfares.
Practice of designing & constructing buildings
Conversely, a regrettably small portion of what permeates our physical environment results from the “art of designing and constructing buildings”. This is where we usually find truly inspiring works of architecture. In recent years I began to notice that these inspiring works of architecture were often considered successful works of interior design and of landscape architecture as well. In the creation of these works, the architects were either unaware of the distinctions between these design disciplines or simply chose to ignore them. These works are not about distinctions, they are about connections. Consider the example of Richard Neutra’s Kaufman Desert House, perhaps best exemplified by Julius Shulman’s iconic black and white photograph.
Richard Neutra's Kaufmann House.
Art of designing & constructing buildings
The stepping of horizontal ground planes mimic the surrounding ground planes. The roof planes hover above the landscape on sheets of glass, or are supported by native stone which growing out of the site. The strong horizontal composition is accentuated by the verticality of natural plants and man-made architectural elements such as columns, doors and sunscreens. The floors seem to extend beyond the confines of the walls and transform to lush sod.
The observer can appreciate the subtle transitions from the interior to the exterior. Where one ends and the other begins is difficult to discern. Natural materials from the exterior are pulled inside and man-made materials from the interior extend outside. The furniture (much of it by Eames) is simple, planar, and warm. Views to the surrounding environment are deliberately considered and framed.
What can we take away from this example? I am convinced that this work is so satisfying because the architect takes advantage of a myriad of architectural connections, not limiting his role to the design of the shell. In doing so, he creates a work that is satisfying on a variety of levels.
This series of blog posts will explore the connection between architecture and the environment, the garden, the neighborhood, interior design, furniture design, product design, fashion, art, sociology, psychology, and more.
My next post will look at the connection between architecture and habitats. Join me for Nesting and Perching.